When that perfect glaze is right under your feet

For most of my practice to date, my making has focussed on low-fire clays (local terracotta wild clay in particular).  Not only does this reflect the colours of the local geology that I find so inspiring, but also because firing earthenware clay demands less energy than stoneware or porcelain. Low firing also maximises my opportunity toContinue reading “When that perfect glaze is right under your feet”

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